The following is excerpted from artist David Jester's website.
This current series of paintings was inspired by gay life online, how we present ourselves to each other, how we treat each other.
There are lots of ways we communicate in the gay community, through phone apps and websites, dating sites, hookup sites, and groups pages inside social media platforms. And in all these I started seeing declarations where guys outlined their preferences, but not in the positive sense, rather the negative. And in broad strokes too – "No fats," "No fems," "No Asians." "Are you clean?" was often a text I would get, or "Clean Only" was used as a declaration. I began to wonder,
What is clean anyways?
Stating ones preferences in the negative was almost affronting, and so I wondered how fine the line was between taste and discrimination. Had we really fought for years for equality only to discriminate against each other?
I have always been drawn to the pool in my art. Metaphorically, it's filled with water, and so are we. Body fluids and cleanliness were a jumping of point for this current series; those who are inside the pool and those who are outside and the different viewpoints and the views are often distorted ones - just like the conservative views of the gay community, and vice versa. I love distortion and so it is a frequent part of my work and I enjoy pushing the abstract shapes that occur in water environments. Pool cleaners hum around working to make the water crystal clear like Prep and meds do within our veins. The pool is another world that is part of the world around it - just like the gay community is an integral part of the overall society. The water in the pool and us has been shared by every other living being since the water developed here - there is a history to it.
When I was in school years ago I started painting guys in pools. I often get compared to
David Hockney by followers on Instagram. It used to "get my goat" as they say, because I paint nothing like him and I think the comparison is simply due to involving a pool. But as I thought about it, there is no doubt that he was a huge influence on me. I remember seeing "
Portrait of an Artist (Pool with Two Figures)" when I was a kid and being in awe. There in the painting was the pool I felt I belonged to, the pool of gay men, portrayed and honored by the entire world, out in the open. Not hidden or something to be ashamed of. I felt accepted by the world through this single piece of Art. It was transforming on a personal level. While Hockney showed the pool to the outside world from the outside, I wanted to show that world from inside the pool.
[This current series] started with a small group of archetypical behaviors but has expanded and become a snapshot of our community as I have experienced it. Our community is so rich and diverse, and I can only paint so fast, but is slowly unfolding, each painting like a chapter in a very long story. Bears, Otters, Twinks, Daddies, Asians, Blacks, Latinos, Caucasians, Queers, Masculinity, Femininity, Judgement, Joy, Fear, Desire, Love, Curiosity, Sexuality, Exploration, Thrupples, Couples, Discrimination, Taste, Bondage, Submission, HIV . . . all have made an appearance in the story so far. The truth is as the series unfolds, I am starting to see it as a family portrait of sorts. Recently I saw a Facebook post by a friend where he said family is lost and family is chosen. This series is my chosen family.
See also: The Art of Aaron Moth | Travis Chantar | Douglas Simonson | Guglielmo Plüschow | Vilela Valentin | Dante Cirquero | Nebojsa Zdravkovic | Brenden Sanborn | Wilhelm von Gloeden | Richard Haines | John MacConnell | Leo Rydell Jost | Jim Ferringer | Juliusz Lewandowski | Felix d'Eon | Herbert List | Joe Ziolkowski
